
Hervé Graumann presents AK66, a work that continues his exploration of patterns—“ornamental installations where the impression of digital image production is both immediate and unavoidable.” Like an introspective work of memory, AK66 evokes the genesis of this series of artworks.







Drawing on themes central to the artist—such as the studio, recycling, and ephemerality—this new piece uses as its creative foundation the cement tiles that once adorned the lobby of the recently demolished building at Route des Acacias 66 in Geneva, where the artist established his first studio in 1986.




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